• About
    • Squeaky Toys Have Feelings Too/ Don't Get The Blues/ Are Humans Too (Brussels 2025)
    • Statement Squeaky Toys
    • Playdate (Brussels 2023)
    • Statement PLAYDATE
    • CC's kids trail for KMSKA (Antwerp 2022)
    • A Lovely Little Shitshow (Brussels 2021)
    • Statement ALLSS
    • Eat Shit Watch Crap (Temse 2019)
    • Statement ESWC
    • Paintings For Bedrooms (LA 2017)
    • 50 Masks, Made In America (LA 2016)
    • The Treasure (Hong Kong 2016)
    • Works On Paper (Knokke 2015)
    • Well Not For Me (Rotterdam 2015)
    • Early Paintings (NY-Tokyo 2014)
    • Landscape 2: The Hills Are Alive (Tokyo 2013)
    • Landscape 1: Everything Is Local (Rotterdam 2013)
    • Barbra (San Francisco 2011)
    • No References (Amsterdam 2008- Rotterdam 2009)
    • The Dollhouse I, II and III (Brussels, Amsterdam, Hasselt 2001-2003)
    • Turandot, the making of
    • Turandot
    • Norma
    • Norma trailer
    • Norma Teaser
    • Bluebeard's Castle Trailer
    • Bluebeard's Castle
    • The Miraculous Mandarin Trailer
    • The Miraculous Mandarin
    • FOXIE! (The Cunning Little Vixen)Trailer
    • FOXIE!
  • Fashion
  • SUPERSAUCE
  • Books
    • WBDM
    • Le Vif Weekend
    • La Libre
    • De Standaard
    • Place De L'Opera
    • De Liefhebber-KLARA Radio
    • De Standaard
    • HART
    • Doorbraak
    • Toute La Culture
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    • The Hollywood Reporter
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    • Autre Magazine
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    • TL Magazine
    • be-Art Magazine
    • De Morgen Magazine
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  • Instagram
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Menu

Christophe Coppens

  • About
  • Art
    • Squeaky Toys Have Feelings Too/ Don't Get The Blues/ Are Humans Too (Brussels 2025)
    • Statement Squeaky Toys
    • Playdate (Brussels 2023)
    • Statement PLAYDATE
    • CC's kids trail for KMSKA (Antwerp 2022)
    • A Lovely Little Shitshow (Brussels 2021)
    • Statement ALLSS
    • Eat Shit Watch Crap (Temse 2019)
    • Statement ESWC
    • Paintings For Bedrooms (LA 2017)
    • 50 Masks, Made In America (LA 2016)
    • The Treasure (Hong Kong 2016)
    • Works On Paper (Knokke 2015)
    • Well Not For Me (Rotterdam 2015)
    • Early Paintings (NY-Tokyo 2014)
    • Landscape 2: The Hills Are Alive (Tokyo 2013)
    • Landscape 1: Everything Is Local (Rotterdam 2013)
    • Barbra (San Francisco 2011)
    • No References (Amsterdam 2008- Rotterdam 2009)
    • The Dollhouse I, II and III (Brussels, Amsterdam, Hasselt 2001-2003)
  • Opera
    • Turandot, the making of
    • Turandot
    • Norma
    • Norma trailer
    • Norma Teaser
    • Bluebeard's Castle Trailer
    • Bluebeard's Castle
    • The Miraculous Mandarin Trailer
    • The Miraculous Mandarin
    • FOXIE! (The Cunning Little Vixen)Trailer
    • FOXIE!
  • Fashion
  • SUPERSAUCE
  • Books
  • Press
    • WBDM
    • Le Vif Weekend
    • La Libre
    • De Standaard
    • Place De L'Opera
    • De Liefhebber-KLARA Radio
    • De Standaard
    • HART
    • Doorbraak
    • Toute La Culture
    • Olyrix
    • Place de l'Opera
    • Forum Opera
    • Première Loge
    • NRC
    • Trouw
    • Le Soir
    • La Libre
    • Paris Match
    • The New York Times
    • Current Obsession
    • Forum Opera
    • The Hollywood Reporter
    • The Wall Street Journal
    • VRT News
    • Le Vif
    • Autre Magazine
    • La Libre
    • TL Magazine
    • be-Art Magazine
    • De Morgen Magazine
    • e-Flux
  • Instagram
  • Contact
×

Christophe Coppens is a Belgian multi-disciplinary artist, opera director, and fashion designer.

Trained initially as a theatre director, Coppens started his own label as an accessories designer at the age of 21, a career that would span over 20 years with several outlets, international press following and buyers the world over, and that he would combine and nurture with his first stunts and solo shows as an artist.

Career Evolution

Fashion and Millinery (1990–2012): Originally trained as a theatre director and actor, he shifted unexpectedly into fashion at age 21. For over two decades, he ran his own global accessories label, becoming world-renowned for his experimental accessories collections. He designed couture headwear for icons like Rihanna, Grace Jones, and Róisín Murphy, created custom pieces for the Belgian Royal Family, and collaborated with designers like JuunJ, Alber Elbaz, Issey Miyake, Manish Arora…

The Pivot to Fine Art (2012–Present): In 2012, at the peak of his commercial fashion career, Coppens abruptly closed his label to focus entirely on visual arts. His artwork spans sculptures, textiled canvases, installations, and paintings. A practice that is strongly material based with focus on complex, autobiographical and deeper themes through a characteristically provocative, surreal lens.

Opera Directing (2017–Present): Coppens came full circle back to his theatrical roots when he debuted as an opera director for the prestigious Brussels opera house, La Monnaie / De Munt. Known for fully immersive storytelling, he directs the productions and completely designs the costumes and sets. His notable opera productions include:

  • The Cunning Little Vixen (2017)

  • Bluebeard’s Castle / The Miraculous Mandarin (2018)

  • Norma (2021 and 2025)

  • Turandot (2024

  • Wozzeck (2026)

SUPERSAUCE (2024-Present) Together with his partner, Javier Barcala, they founded SUPERSAUCE, a global creative studio, crafting elevated visual storytelling through premium experiences, installations, curated spaces, shows, films, 360 campaigns, product design and more…

Fashion: CC is currently planning a return to fashion in 2027